Some of my favourite episodes of the Simpsons are where Bart (it’s usually Bart) recognises that something he’s done has had a profound (usually hurtful) effect on someone. I think realising that your actions can affect others is an important part of growing up as a child, and the Simpsons has a knack for showing these moments in a very earnest way. Bart seeing Mrs Krabappel sitting alone in a restaurant after faking love letters and a dinner invitation comes to mind. Also Bart watching Lisa walk off home from the carnival and realising that he’d gone too far. It’s that moment as a child when you learn to zoom out, perhaps only slightly, and see yourself in a bigger picture.
We’ve spent a lot of time the last week or so discussing an overarching principle for this show about Flaten – some sort of framing that clarifies what the show is trying to do. Something that helps an audience know what they’re going to experience, and to say quite simply, we believe x is important. We’ve been lucky enough this week to share in the knowledge and expertise of some very clever and wonderful people, and these experiences have helped me in grounding some of our ideas.
On Wednesday we had a walk around (and across!!!) the lake with Sarah, who works at the Stockholm Resilience Centre and has run guided tours of Flaten for the last twelve years. She wrote her phd on it!
Sarah told us about how as the land mass of Sweden was formed, plants and animals quickly spread to it – and with them, people. So one can argue that Stockholm (and by extension, Flaten), has pretty much always had people on it. This land has more or less always been managed. Since the beginning it has existed as a socio-ecological system.
This feels kind of weird, at least coming from an Australian perspective – the Australian land mass existed for a long time without people, even though people have been in Australia for tens of thousands of years.
It also connects to the idea that oak forests, which have been around for hundreds of years, come from active land management, and need some level of active land management to survive. Again this feels kind of counterintuitive to me. I think there’s an idea you pick up as a child that if left alone nature will heal and revitalise, but in reality it’s a bit more complicated than that.
So with these and many more ideas bouncing around my head I’ve been trying to clarify at least one aspect of the why for this show.
We have a relationship to the environment we’re in. We influence it and it influences us, in ways both subtle and overt, simple and complex. The area of Flaten has always had a relationship with people, and over time that relationship has changed the system again and again. We have a responsibility, and an opportunity, to make that relationship the best it can be. We can do that by learning about the Flaten system, understanding its complexity, its uniqueness and recognising our own place within it. The more we can do that, the better choices we can make for the system and the better contributions we can make to a future that we want.
Flaten is a pretty unique area, and has a unique relationship with the people that are part of it. How do we ground the show in the uniqueness of the system while speaking to something larger?